Sunday, April 29, 2012

Eagle Man, My Watcher (Prose-y Thing)


Eagle Man, My Watcher

And my vision blurs
And I see him again…

Center of my mind
The mathematical center-
The pupil
Of the pupil

He is there
He is always there
Whether I choose to acknowledge him
Or to remain distracted
He is there
He is doing his work
He watches

From ten thousand feet
The land where he chooses to live
Is craggy and gray
And red and brown
With pools and patches and splashes
Of color here and there

Today we might call it desolate
Or Western Minnesota
Or Plain
Or The Great Plains.
He calls it home.

From ten feet
When he looks to the sky
Which he often does
His face looks like
The land where he chooses to love.

His face, craggy and gray
And red and brown
Also has pools -
They are deep and brown
And, seeing all,
Are sharp like the owl’s

His name is Eagle Man
And he scans the horizon
Three hundred and sixty degrees
Three hundred and sixty five days
(Or thirteen new moons)
Of the year. 

Watch now, because he does this every morning:

You see the patch of new grass he is sitting on?
It’s not always there,
For it is now spring
And the Grandfather of the East is smiling.

In the winter time, the ground is white and he may be in his tipi lodge in this same place.
In the summer he is shirtless here,
In the fall, his favorite season,
He waits here with delight for the evening visits of the Thunder Beings
From the place he most often faces,
The deep and powerful West.  

As you can see
The grass upon which he sits
Has a ring of darker grass that surrounds him
The earth is more fertile
In this ring
Like the ring around the iris
Of some people’s eyes.

Eagle Man is in the center of it
Always
The pupil
Of the pupil
Of the student.

Every morning
When I check on him
Eyes closed
I see him there
Eyes open
Scanning the horizon. 

His pipe is in his left hand
And while he sometimes stands when he senses my approach
Today he sits cross-legged
On the green grass
In the center of the green ring.

His back is straight and strong.
Today he is shirtless;
You can see that his slightly sagging skin bears
Scars from, interestingly, a bear;
And there are scars on his chest
From ceremonies we can barely comprehend,
And there are scars on his left arm
From defending his home,
And there are scars on his belly
From defending the helpless ones.
His pants are buckskin-
And not just the color.
They are painted in places to remind him
Of Wakan Tanka,
The Life Force that flows through
All things
And to remind him
That all things are related
And connected
And temporary
Like pain
And joy.

Today he happens to be wearing his moccasins
Which were beaded by his second wife
Before she also passed.

So this morning
As we regard him
He stands wearily
But with strength I hope to one day have
And lifts his pipe to the sky
And with a tear
He thanks Tungashila
His name for Creator
For the view in front of him
And to all sides of him.

Facing West he acknowledges the Thunder Beings and the way of the Grandfathers,
Facing North he acknowledges the difficult times and the purity that comes from them,
Facing East he recognizes the gratitude that comes with the sunrise every day,
Facing South he smiles, remembering harvest and plenty and restfulness.
With his face again to the sky, raising his pipe
(Eagle feather gently blowing from it),
He smiles and thanks Tungashila for allowing it all and
He pauses here, smiling at the sky as if to a friend.
Touching his hand to his heart, he kneels
And placing it on the earth
He thanks Grandmother for taking care
Of his physical needs
With such compassion and grace.
Finally, Eagle Man rises again, and facing West and with the bowl of his pipe
In his left hand,
He slowly spins it
To acknowledge all the messengers that stand
Outside the dark green circle where he stays.

Now Eagle Man pauses and he listens.
He listens to my prayer.

When I pray for protection from that which may harm me
Things grow from the dark green circle.

At the intersection of South-West
A young warrior grows from the ground
Fearsome, painted, battle accoutrements at the ready
He faces outwards
His eyes are sharp as the hawk’s.
His muscles twitch with readiness
From sun up until he is dismissed again.

At the intersection of North-West,
A slightly older warrior comes from the earth
I would not want to meet this man in battle
For what he has lost in terms of physical strength
He more than makes up for in skill
And fighting experience.

At the intersection of North-East,
Another warrior melts upward.
I do not always see him
But he is from the old tribes
And is skilled at hunting
And at being seen
Only when
It is entirely necessary.

And finally
At the intersection of South-East
A young man arises.
He is full of innocence by today’s standards
But his eyes are sharp
And his mind is kind
But he is as skillful with a bow
As an Olympic archer
Could ever hope to be.
(Sometimes he passes the time shooting grasshoppers).

No words are spoken by Eagle Man
Or my warriors
As they scan the horizon
For whatever monsters may approach
But they never cease to protect me
When I ask Eagle Man to bring them.  

Other times, I ask Eagle Man for advice
Or to pray with me
Or to cry with me
Or to laugh with me
Or to help me to understand

And this he always does-
Lighting his pipe
Offering it to
Creator,
And the Four Grandfathers,
And Grandmother
And Wakan Tanka
For me.

He never leaves me.
He smiles to me.
He is me.  

--Eric Marley
April 2012
  

Wednesday, April 25, 2012

Lonely Food (Poem)


Lonely Food

I stared at the beans in my fridge
And they stared back
Angrily
Accusingly
With prejudice
Daring me
They glanced at the relatively fresh
Salsa in the corner
Potential accomplice
Which gave a sly grin back
And…
Was that a wink?
The salsa has no reason to be
That angry with me
Unless it was coerced-
Bullied, maybe.
These beans…
They’re troublemakers.
Who would have thought-
Fried once
And then again,
One might think
The fight would be gone,
That rottenness would never ensue
But no…

I flushed them.

Now for that salsa…

--Eric Marley
October 2011

Depression (Essay)


Long and about as thick as my wrist, it starts with a stirring in my abdomen; a snakelike-writhing. It stares at my heart, making slow circles on the inside my ribcage like a stalking wolf at the edge of a hunter’s dying fire, yellow eyes on the nervous man huddled beside it, no firewood left. The stirring can not be seen by anyone. The sensation itself is almost ticklish, like a healing wound. It might even be enjoyable if I didn’t know what was coming. My chest cavity, unmade for more residents than it already has – namely my lungs, liver, pancreas, heart and such – begins to feel tight, restricted. This can go on for minutes, days, or weeks – as long as it circles inside me. The sensation doesn’t go away unless I am utterly distracted from it, which is difficult once it starts. However, a walk in nature or some types of play can keep it at bay. But these are always temporary, because the thing is still there, always.

It seems its presence in my breast also has the effect of poisoning my mind so that, unless distracted as I said, I can concentrate on little else but its presence. Wouldn’t you also be concerned with a malignant, malicious thing in your body? You would particularly if you knew what happens next. This thing, once it has rested from its circling in the deep red of my inner body, grows a hand from its leading end. The thing has no head, but if it did, it would be replaced by a muscular man’s hand, the hand of a blue-collar worker, a boxer’s hand. Whereas the thing had once made circles on the outer wall of my inner ribcage, it now goes inward, towards my inferior vena cava; the big vein that feeds the heart and leads directly up into it from the nether regions of the body.

I had an anatomy class once. There were three cadavers. One was a woman with an orange-sized lump that had grown around this same vein deep inside her. It was some kind of cancer. Maybe she was sad, too, and her snake-thing had taken permanent residence there. Maybe that’s what cancer is, I don’t know. What I do know is that the snake-thing begins wrapping around this vein low, towards my intestines, brushing my spine and then my internal organs, spine and organs, spine and organs. When it passes my spine, the muscles surrounding my backbone ratchet tighter. When it passes my organs they seem to recoil in fear and disgust, constricting, ratcheting tighter and tighter. This continues until the hand is within reach of my heart. It pauses, a cobra preparing to strike, regarding without eyes its target. It is then that the hand changes. Fingers elongate and become the size of sausages. The hand itself triples in thickness, with lumpy muscles apparent through tight skin. Where the hand had at first been muscular but man-sized, it continues to grow until it’s the size of a baseball mitt. Each finger begins caressing my heart maliciously, teasingly. At the same time, the snake part tightens around the big vein. But just like a hungry dog can not lick at a fresh piece of meat for long without taking it whole, so is this hand. It’s a rapist in the presence of a virgin alone at home; a junkie staring at a loaded needle; a serial thief looking at a purse in a lonely, unlocked car. It loves its target for itself only, for its own use. Each caress of the fingers gets stronger, more forceful until my heart is enveloped completely within the muscular grip. And then it begins to squeeze, vise-like, as it somehow feeds, devouring my heart.

I first notice the effects of this constriction and devouring of my heart when I wish to speak to someone about something and cannot. Tears come to my eyes and must look for somewhere to hide in shame. Unsavory thoughts get pushed upwards through my bloodstream into my mind; violent thoughts, mostly towards my-self. Why? I must kill this snake, even if it means killing the host. One or the other must die. Or both.

This is when “the procedure” usually begins. With tears obscuring my vision, no matter how much vision is needed at the time, my jaw begins to drop until it appears that it will unhinge. Simultaneously, my lower diaphragm retreats, drawing a huge gulp of air into my lungs. The air is an elixir of sorts, since it always makes me feel better for an instant because I see that we are at this point in the process. The snake-thing somehow eats most of the air as soon as it passes my lips, so it does me no lasting good in and of itself.

Finally, all at once, the air that the snake has not eaten leaves my body with a throaty demarcation, as if the air is being chased out by a demon, for it is. The air keeps retreating from my core, voice box vibrating low and hard. My jaw continues to drop, my eyes widen. Red blood and then shredded skin and then white tendon splatter the window in front of me, if I am in my vehicle. In fact, I almost always find myself there when the effects of the snake-like thing bear fruit as I have described. It’s a matter of privacy; my car is the only place I can go to throw this miscarriage.

When I am done with this procedure, there may be - in rapid succession - another, and then another and then another and then another and then another and then another. By this time I am usually parked on the side of the road, if I was driving, out of safety for those not so afflicted.

Oddly, as violent as it is, the procedure is usually the beginning of the end of the current incarnation of the snake-like thing. It appears that he dislikes a good cleansing, which is what happens when I take in the air and dispel it so violently. After a while, minutes or days or weeks, he shrinks and becomes still, almost dead. I can become human again.  
But alas, this is merely a hibernation of indeterminate length. The mucous that covers his body never dries. He always returns, stirring in me anew. 

Dad, I Have A Question (Prosey Thing)


Dad, I Have A Question

Why can’t we go see a Jethro Tull concert?
And why can’t we talk about the ceremonial scars on my body?
And why can’t we go fishing for one day, just you and I?
And why can’t we talk about my favorite book, Steppenwolf?
And why can’t we talk about sex frankly, without joking?
And why can’t we lay under the blue sky while you tell me stories?
And why can’t we talk about the things that confuse you (because maybe they confuse me too)?
And why can’t we talk about why you were such a hard ass when I was a kid?
And why can’t I tell you how much I think a magic brownie would do you immense good?
And why can’t I ask you if it’s possible that my feelings of intimidation
In the face of masculine displeasure
Are the result of the anger
That you felt towards me
As an infant?
And why can’t we listen to the mathematical genius of Rush
Or the power of Metallica
Or the beauty of some of the Beatles lyrics?
And why don’t you tell me you are proud of me anymore?
And why can’t I tell you that one of the favorite memories in my life came two years ago
When I was laying alone
At the bottom of a deep canyon
High on mushrooms, marijuana and mescaline
Feeling that I belong to the earth and the sky
Above all
Above even you?
And why can’t I tell you how many times I have almost changed the name I share with you?
And why can’t I ask you why I seem to get into relationships with amazing women – but can’t stay?
And why can’t we talk about how strange it is when you realize you are nearly fifty years old – and don’t know shit?
And why can’t I tell you how much I love to be in a drum circle from time to time?
And why can’t we discuss how alone I feel – and ask you if is it like this for all middle-aged men?
And why don’t you come watch me run a race up a mountain?
And why don’t you allow yourself to feel?

Aren’t you afraid to look back on your life
And see that you didn’t need to jump from stone to stone
But realize instead that you could have walked on the water?

Are you already dead, or are you a man waiting at the bus stop
Looking at the destination sign of each approaching behemoth
Hoping it’s your turn to board?
(Hint: the waiting and the boarding are the same thing)

What are you afraid of?
I have to ask because
The fears you did not face
Have turned their attention from you
And now look at me
With deep and hungry eyes…

--Eric Marley
June 2011

Cycle (Poem)

Cycle

Cities bleed
Needs perceived
Rampant greed
I exceed
And then retreat
To shady trees  
And there entreat   
As pain recedes
And peace precedes
A sweet release -

Repent
Replace
Return
To grace.


Eric Marley
January 9, 2006


Sunday, April 22, 2012

Now (Poem-y Thing)

NOW

It starts Now.
The diet? Now.
The exercise regimen? Now.
The daily meditation practice?
That starts Now.
You let the blame go, Now.
You forgive yourself (finally!), Now.
The days when you catch a glimpse of yourself in the mirror and
You see a friend smiling back at you?
Those days start Now.
You are financially responsible, Now.
You keep your word, Now.
You see your goals as probabilities...how about...
Now.
You pause, Now,
To hear the stillness under the noise and to
See the light under all the darkness.
And the air rushes into your nose,
Over your beautiful smile,
Into your miraculous lungs,
Filling them
Now.

--Eric Marley
April 2012

Saturday, April 21, 2012

Mefined (Poem)


Mefined

I am alone on this earth.
I am a ronin.
I am a wanderer.
I am a seeker.
I am an observer.
I am a witness.
I am a seer.
I am a god.
I am a devil.
I am a teacher.
I am a student.
I am a lover.
I am a Lover.
I love.

Trailing behind me are stars and scars.
I will be held accountable.
I am innocent of all charges.
I am guilty of death.
I will dismember.
I will heal.
I will hold one tight and drop another into the fire.
I am simple and complex.
I run and do not understand.
I walk and see all.
I sit still and comprehend the universe behind my eyes and in the past and in the present and in the fucking future of myself and of you and of all mankind.
I do not take drugs.
At least not often.
And I will one day walk to the top of the stairs and I will meet a man there that looks like me but with even kinder eyes and then I will know that all those adventures taken below were done by the same me that stands in front of me and that thanks me for every breath, for every death and for every moment of every emotion of every wish and damned and goddamned desire that arose and for what I allowed or disallowed from it.

My life, after all, was lived.

--Eric Marley
December 2011